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Hailed as world’s No.1 DJ, French house music producer David Guetta is currently trending in India with his much awaited three-city tour for the second edition of Eristoff Invasion 2012 festival.

The Grammy award winning producer who is nearly worshipped at dance music festivals across the world has kept his promise to lend one of its kind concerts in India by installing ‘Grand Festival set,’ which he used during international gigs.

Guetta is on-par of his career with recently released single ‘Titanium’ that ranked at number one position of UK Top 40 Music Charts. The club smash hit is the fifth single from the producer’s collaborative album ‘Nothing but the Beat’ which featured mainstream pop artistes like Black Eyed Peas, Usher, Akon, Rihanna, Nicki Minaj and Flo Rida.

In a quick chat with Radioandmusic.com’s Swagata Panjari, Guetta reveals his plans stored for forthcoming tour and divulges the secret of his success.

You’ve come a long way since your first production in 2001 and now you’re world’s no.1 DJ...

I'm very lucky. I started DJing in clubs at very young age and I've always wanted to be part of dance music. My roots are firmly in dance music, so for me to do what I'm doing now is a dream come true.

How did you start your journey?

I have always been obsessed by music. When I was 12, there was ‘pirate radio’ – it was the beginning of FM radio in France. There was no ‘directors of programs’, it was just DJs playing what they liked and I got quite attracted to it. I wanted to be able to mix like those guys, so I started to train every day after school. When I was 18, I discovered house music. It was the very beginning and I was one of the first DJs in France to play this kind of music. I went to London and saw Danny Rampling centre stage at Shoom which changed my life.

Shed some light on house music?

House music was born in gay clubs, so it was not only revolutionary for the music, but socially it also opened people’s minds. The music speaks about accepting each other and when the straight community accepted house music, all of a sudden, it was seeing music in a very different way. We started to have community of young people that were meeting to go to raves and clubs,



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